Refereed Scholarly Articles and Chapters | Non-Refereed Publications | Book Reviews
Titles appearing as links provide open access to full-text PDF versions. Articles not in online journals are housed in #AthaU’s institutional repository, AUSpace.
Refereed Scholarly Articles and Chapters
“Towards a theory of the dubject: doubling and spacing the self in Canadian media culture.” Selves and Subjectivities: Reflections on Canadian Arts and Culture. Ed. Manijeh Mannani and Veronica Thompson. Athabasca UP, 2012. 235-64.
Abstract | Citations
“Frankenstein as a figure of globalization in Canada’s postcolonial popular culture.” Continuum: Journal of Media and Cultural Studies 25.5 (2011): 731-42.
Abstract | Citations
“The Medium is … the Monster? Global Aftermathematics in Canadian Adaptations of Frankenstein.” Local Natures, Global Responsibilities: Ecocritical Perspectives on the New English Literatures. Ed. Laurenz Volkmann, Nancy Grimm, Ines Detmers, Katrin Thomson. Cross/Cultures ser. Vol. 121. Amsterdam: Rodopi, 2010. 205-222.
Abstract
“Would you lend Bob Dylan your guitar pick?” In “Celebrity Musings: Brushes with Fame and Other Thoughts on Celebrity.” Celebrity Culture. Spec. issue of Canadian Theatre Review 141 (Winter 2010): 7.
“Ipsographing the Dubject; or, The Contradictions of Twitter.” Socialist Studies 5.2 (2009): 113-22.
Abstract
“‘Come on back to the war’: Germany as the Other National Other in Canadian Popular Literature.” Discourses of Security, Peacekeeping Narratives and the Cultural Imagination in Canada. Spec. issue of University of Toronto Quarterly 78.2 (2009): 764-81.
Abstract
“Downloading Doppelgängers: New Media Anxieties and Transnational Ironies in Battlestar Galactica”. Science Fiction Film and Television 2.1 (2009): 1-24. Rpt. in The Television Reader: Critical Perspectives in Canadian and US Television Studies. Ed. Tanner Mirrlees and Joseph Kispal-Kovacs. Toronto: Oxford UP, 2013.
Abstract | Citations
“On ‘Vulgar Exhibition’: Hazlitt, ‘The Fight,’ and the Pornography of Popularity.” Nineteenth Century Prose 36.1 (2009): 77-100.
Abstract
“‘The Web of Our Life is of a Mingled Yarn’: The Canadian Adaptations of Shakespeare Project, Humanities Scholarship, and ColdFusion.” Co-authored with Daniel Fischlin, Dorothy Hadfield and Gordon Lester. College Literature 36.1 (2009): 77-104. Rpt. in Canadian Adaptations of Shakespeare. Ed. Daniel Fischlin. U of Guelph, Guelph.
Abstract
“‘To skip or not to skip’: Shakespearean Romanticism and Curricular Genderpellation in Canadian Popular Culture.” Borrowers and Lenders 3.1 (2007).
Abstract
“Techno, Frankenstein and copyright”. Popular Music 26.2 (2007): 259-80.
Abstract | Citations
“Liber Amoris and the Lineaments of Hazlitt’s Desire.” Texas Studies in Literature and Language 46.4 (2004): 432-51.
Abstract | Citations
“A Midsummer Night’s Mash-Up: Adapting Shakespeare as a Canada Day Dance Party.” Canadian Theatre Review 111 (2002): 33-42.
Abstract | Citations
“She skin black as water: The Movement of liquid imagery in Dionne Brand’s In Another Place, Not Here.” Post Identity 3.2 (2002): 133-52.
Abstract | Citations
Selected Non-Refereed Publications
Rev. of Morris, Dave. Frankenstein iOS. Profile Books and inkle Studios, 2012. British Society for Eighteenth-Century Studies: Media Reviews 23 Jan. 2013.
“Debating the histories and futures of black science fiction.” Rev. of Barr, Marlene S., ed. Afro-Future Females: Black Writers Chart Science Fiction’s Newest New-Wave Trajectory. Ohio State UP, 2008. Extrapolation 52.2 (2011): 246-68.
Rev. of The Grammar of Identity: Transnational Fiction and the Nature of the Boundary, by Stephen Clingman (New York: Oxford UP, 2009). ARIEL 40.4 (2009). 162-64.
Rev. of Downtown Canada: Writing Canadian Cities. Ed. Douglas Ivison et al. (Toronto: U of Toronto P, 2005). Canadian Journal of Urban Research 16.2 (2007): 184-86.
Rev. of Toward a Political Economy of Culture. Ed. Andrew Calabrese et al. Lanham: Rowman & Littlefield, 2004. International Journal of Baudrillard Studies 4.1 (2007).
Scholarly Articles
Introduction to richardthesecond: a nightmare. Canadian Adaptations of Shakespeare, 2004.
Introduction to Machomer: The Simpsons Do Macbeth. Canadian Adaptations of Shakespeare, 2004.
