Category Archives: conferences

“working out an inter-ACCUTE thought exercise” music mix

[In my post-#congreSSH post about this year’s ACCUTE dance party, I’d said I’d be following up with a post reflecting further on that event. Voilà: further thoughts, related to other current concerns, in the form of a DJ mix. What can I say? I have a phonographic memory.]

Playlist:

Link & track list for ACCUTE Dance Party 2018 recording

Here’s the at-a-glance track list for the recording of the set I DJed at ACCUTE’s 2018 dance party. (Mixcloud only reveals the full track list during real-time playback.) This isn’t a recording of the whole set, but it’s a generous sample.
I’ll be sharing further reflections on the event in a forthcoming post.

00:00:00 Shakira feat. Wyclef Jean, “Hips don’t lie”
00:03:19 N.O.R.E. feat. Nina Sky, “Oye mi canto”
00:06:36 Luis Fonsi & Daddy Yankee feat. Justin Bieber, “Despacito”
00:09:02 Sia feat. Sean Paul, “Cheap thrills”
00:12:05 Rihanna, “Pon de replay”
00:15:27 Mr Vegas, “Heads high”
00:18:20 Panjabi MC, “Beware of the boys (Mundian to bach ke)”
00:22:16 Lady Gaga, “Born this way (Bollywood remix)”
00:26:12 Boney M, “Rasputin”
00:30:26 Dead or Alive, “You spin me round (like a record)”
00:34:43 Depeche Mode, “I just can’t get enough”
00:38:15 Madonna, “Ray of light”
00:42:52 Cornershop, “Brimful of Asha (Fatboy Slim remix)”
00:46:45 Olivia Newton-John & E.L.O., “Xanadu”
00:50:00 Earth Wind & Fire, “September”
00:53:22 Spice Girls, “Wannabe”
00:56:09 Meatloaf, “Paradise by the dashboard lights”
01:04:23 Kenny Loggins, “Footloose”
01:08:10 Beyoncé, “Drunk in love”
01:13:02 Abhijeet & Anuranda Shriram, “Chunari chunari”
01:16:45 New Order, “Bizarre love triangle”
01:23:03 Drake, “Nice for what”
01:26:07 Nine Inch Nails, “Closer”
01:31:33 Tanya Stephens, “Good ride”
01:35:10 Missy Elliott, “Get ur freak on”
01:38:29 Soft Cell, “Tainted love”
01:41:05 Nena, “99 Luftballoons”
01:44:43 Lil Jon feat. Usher & Ludacris, “Yeah!”
01:48:52 Backstreet Boys, “Everybody” (+ samples of Lil Jon, “Outta your mind”)
01:53:24 Rihanna feat. Drake, “Work”
01:56:53 Ciara feat. Missy Elliott, “One two step”
01:59:55 Sean Paul, “We be burnin'”
2:03:20 Robyn, “Dancing on my own”
02:07:34 Groove Armada, “If everybody looked the same”
02:10:57 Azealia Banks feat. Lazy Jay, “212”
02:14:18 Capoeira Twins, “4 x 3”
02:18:40 Rob Base & DJ EZ Rock, “It takes two”
02:23:20 Major Lazer feat. VYNZ Kartel, “Pon de floor”
02:26:52 Beyoncé, “Run the world (Girls)”

29 May 2017: Academics’ views on Canada’s 2017 copyright review (free & open to public at #CongreSSH)

At 1:30 pm on May 29, at Congress hosted by Ryerson U in Toronto, I will be chairing Academics’ Perspectives on Canada’s 2017 copyright review — it will be an Open Congress panel, meaning it’s free and open to the public.

Speakers:

Sileshi Hirko (uOttawa and Open AIR): “Reframing User’s Right under Canadian Copyright Jurisprudence as a Human Right”
Lisa Macklem (Western U): “Copyright’s Role in Preserving and Ensuring Access to Culture: The Way Forward”
Meera Nair (NAIT): “Copyright Review 2017 – a Plea to the Academics”

This panel will share perspectives on the federal government’s upcoming review of Canada’s amended copyright law (tentatively scheduled for fall 2017). The public discourse on this review is dominated by the views of publishers and copyright holders’ intermediaries who are calling for the government to revise if not retract the legislative expansions regarding fair dealing. Rights holders’ lobbyists like Access Copyright and the Writers’ Union of Canada have been claiming that fair dealing is endangering Canadian publishing and content creation. How can educators and researchers (who, in these roles, are also promoters of culture) respond to these accusations and demonstrate the social and economic value of “dynamic fair dealing”?

The panel is hosted jointly by the Association of Canadian College & University Teachers of English (ACCUTE) and the Canadian Society for Digital Humanities / Société canadienne des humanités numériques (CSDH/SCHN).

My conference presentations for #congress2013

June 2, 2:45
CACLALS
Clearihue A-118
“Globalizing McLuhan’s discourse of technology in international scholarship.”
abstract TBA

June 3, 1:30
ACCUTE special session on Monstrosities
Clearihue A-315
“Monster mines and pipelines: Frankenstein figures of tar sands technology.”

June 5, 8:45
CSDH session on Digital Sound and the Spoken Word
Mathematics 102
“Is it live or is it Deadmau5? Adaptations of Frankenstein in Canadian EDM.”

(Huh. WordPress parked a random advert under this post. Ignore it.)

Identity, Agency & the Digital Nexus: 5-7 Apr. 2013 at #AthaU

Symposium hashtags: #dns2013 #AthaU
2013_Mais_Symposium_Poster_final

Looking for pop culture representations of the oil sands

frame from Avatar (2009)

frame from Avatar (2009)

I’m working on a research paper about pop culture representations of the oil industry; I’m especially interested in Canadian works, and in representations of the Alberta oil sands. I have found a few great leads so far: Corb Lund’s peak oil ballad “Gettin down on the mountain”; James Cameron’s film Avatar.

If you know of pop culture texts, especially Canadian works, that refer to the oil industry – especially the oil sands – please leave a comment here (or e-mail me).

I’d be particularly grateful for references to pop music, theatre, TV, and science fiction works.

The research in progress is tentatively titled “Monster mines and pipelines: Frankenstein figures of fossil fuel technology,” and will be presented on March 4 at #AthaU’s inaugural Alberta Studies symposium, and again in June at Congress.

#Congress2012, part 2: conference tech review

Right, I’ve been meaning to follow up on conference-going with just a tablet, no laptop. The thing served perfectly for the proceedings in which I presented: it patched intuitively to the AV system (which all had audio as well as video); it supplied a backup copy for a panelist whose paper I had agreed but then forgot to print (oops!); it afforded some snapshots of proceedings (although this particular tablet’s camera leaves a lot to be desired, as if the company intentionally gave this model a bad camera just to be able to put a better one in the next release).

The tablet also proved unexpectedly handy in other situations: showing family pics to colleagues; providing a boarding pass (I seriously had printer issues the whole time); random must-see and to-do note-taking outside of proceedings; showing directions to venues, etc.

One weird irony in my tablet-bound conference-going was that while I had this mobile device with me more or less the whole time, with a cell data plan, I hardly made any use of social media the whole time; I normally like at least to tweet about proceedings (if for no other reason than to momentarily displace Twitter’s volume of celebrity gossip, sport event exclamations, and general smack-talking with critique, and in the process demonstrating the public value and engagement of Humanities research). Anyway, I wasn’t tweeting or blogging about anything during the conference, despite the apps at my fingertips. Drafting the conference review on the flight home felt weirdly like writing one’s paper on the way there: late, hasty. This is really less about the tech and more about the social, and the psychological, but thought it worth a mention.

One unexpected opportunity to further lighten the tech load: I didn’t use the bluetooth keyboard at all. In this case I think the short itinerary and busy schedule left me little time for catching up on other writing (this may also explain the social media disuse). And, technically, the pleasing availability and quality of built-in PA systems meant I didn’t need the portable boombox, either. But I still don’t think it’s safe to assume every conference venue will be similarly well equipped. The portable PA will stay an important “Plan B component” in my conference-going tech toolkit.