Category Archives: mix and mash

Two poems just published

I’m pleased to see two of my poems reach print.

mccutcheon_existere2016pic1. “Here Is Where”:

Existere, the long-running literary journal based at York University, has published my poem “Here Is Where Was” in its current Spring-Summer issue (35.2). The poem appears without its Works Cited list: I know poems tend not to attach such things; and I guess the editors get to make that call; and I’ve read some compelling arguments, like David Shield’s, for borrowing without citing. But, unreconstructed scholar that I am, I still feel obliged to cite credit where it’s due:

“Here Is Where” Works Cited

  • Brand, Dionne. No Language is Neutral. Coach House P, 1990, p. 22.
  • Frye, Northrop. “Conclusion to the First Edition of Literary History of Canada” (1965). Northrop Frye on Canada, vol. 12, edited by Jean O’Grady and David Staines, U of Toronto P, 2003, p. 346.
  • Johnston, Basil. The Manitous: The Spiritual World of the Ojibway. Minnesota Historical Society P, 2001, p. 221.

screen-shot-2016-09-07-at-8-50-38-am2. “Lunar Sonata”:

Tigershark is a small-press British e-zine that publishes theme-based issues by subscription. My poem “Lunar Sonata” appears in Tigershark 11, the science and technology issue. “Lunar Sonata” is a cento, a found poem composed wholly of selected excerpts from a news article, “Audio recordings document ‘weird music’ heard by Apollo astronauts on far side of moon,” by Lee Speigel; his story ran in the Huffington Post on Feb. 20, 2016.
Issues of Tigershark can be requested by emailing the editor, DS Davidson, at tigersharkpublishing@hotmail.co.uk.

Shrine Like The Sun: Summer 2016 Drum & Bass

“…dance clubs should be safe spaces. Where you can take #pride in yourself and freely express yourself. Where you can #BeYourself. This idea, this ethos has weighed heavily on my mind this week. This mix of newish tracks veers between darkness and light, dread and remedy. The track list titles sketch a kind of story, an all too familiar story. But it starts and ends with tracks that insist what a dancefloor should be: Shrine. Sacred Floor.”

Update: Dan Savage and Carl Craig have written good articles this week about the importance of dance clubs as sanctuaries. See Savage’s “What we find in gay bars and queer clubs” and Craig’s “On the importance of club culture after the Orlando shooting.”

Track list:
00:00 Artificial Intelligence “Shrine”
05:33 Whiney “Guardians”
09:12 Maduk “One way”
12:50 Boston “Conscious”
16:53 S.P.Y. “Hidden fire”
20:23 Alibi, Unreal & Dogface “Drop dead”
23:38 Dan Bowskill & Kalm “Living in the red”
28:12 Nitri “Shiver”
33:34 Bcee “The river runs dry”
38:08 Phase & Whiney “It means nothing”
41:15 Spirit “Interstate”
46:03 Bcee “Back to the street” (S.P.Y. remix)
50:28 Technimatic “Remember you”
55:05 Kid Drama “Red magic”
58:55 Maduk & Veela “Got me thinking”
1:02:22 LSB “Remedy”
1:07:33 Fred V & Grafix “Like the sun”
1:11:12 Bungle & Urbandawn “Sacred floor”

Just published: “The DJ as Critic”

ESC-DJarticle_collage“The DJ as Critic”: my article in the latest issue of English Studies In Canada. Seeing work reach print never gets old, but the design of ESC is always exceptional, from typeface to pull-quotes.
This issue also features work by national treasures like Diana Brydon, Susan Brown, George Elliott Clarke, Smaro Kamboureli & Len Findlay, to name just a few…so I’m thrilled my words get to rub paper shoulders with such a Who’s Who of Canadian literature and literary studies.

This article is presently available only in the print edition of ESC; I will update this post when the article becomes available online.

UPDATE: This issue of ESC is now digitally available via Project Muse. The article is at this link, available to Project Muse users (i.e. postsecondary students and faculty). If you don’t have Project Muse access, but want a copy, just e-mail me a request for it. (That’s one way fair dealing works.) Eventually it will be openly accessible at ESC‘s website, but not for another year or so.

Deliquescence: Drum & Bass March 2016

My new mix of current and recent drum & bass tracks is streamable on Mixcloud. Recently, Mixcloud’s Terms of Service changed so a full track list isn’t shown before playback. (I’m assuming this change was made under pressure from the RIAA.) Which is why I’m providing the track list here.

Track List [artist, “title” (label)]

00:00 Keeno, “Land, Sea and Sky” (Medschool)
05:22 Lenzman & Forren, “Never Enough” (Metalheadz)
09:35 G.H.O.S.T., “Blood Brother” (Goldman)
14:58 Insomniax, “Lunar Dub” (Viper)
19:34 Document One, “Run the Block” (Technique)
23:01 Response & S.T. Files, “Wanna B 3” (Computer Integrated Audio)
28:23 Pola & Bryson, “Music” GLXY remix (Soulvent)
32:36 Semi Sense, “From Stars” (Liquid Tones)
36:49 Urban Dawn feat. Elsa Esmeralda, “Cloudless” (Hospital)
41:25 Keeno, “Bleary-Eyed” (Medschool)
45:15 Anile, “Stay With Me” (Medschool)
48:17 Subwave, “Tell Me” (Hospital)
52:55 Hugh Hardie & Pola & Bryson, “Lifted” (Hospital)
56:22 LSB, “If You’re Here” Luke’s Tangerine Dreaming remix (Hospital)

New Fronts in the Copyfight, Part 2

Now published, just in time for Fair Dealing Week 2016: Part 2 of New Fronts in the Copyfight, my guest-edited series in Digital Studies/Le champ numérique (DSCN). DSCN is an open access journal in the Digital Humanities. New Fronts in the Copyfight is a series featuring innovative, multidisciplinary directions in critical copyright studies. The new installment includes research articles by Dr Carolyn Guertin (author of Digital Prohibition) on digitally remixed creativity, and by Dr Daniel Downes (author of Interactive Realism and co-editor of Post-Colonial Distances) on a theory of “transproperty.” The installment also includes my review of Rosemary Coombe et al’s Dynamic Fair Dealing (2014), an excellent book, and a timely one, given the fast-approaching review of Canada’s amended copyright act and the copyright implications of the signed but not yet ratified Trans-Pacific Partnership.

New DJ mix: Drum & Bowie – a tribute mix

This mix is a tribute to David Bowie, selecting some of his fast music from the 1980s and after, especially his forays into drum & bass, which debuted dramatically on Earthling (1997) but didn’t end there. Despite their common tempo in this mix (about 169 bpm), the musical diversity of these tracks demonstrates the extraordinary breadth and depth of Bowie’s creativity.

The resulting mix is an eclectic, uptempo trip through a vastly eclectic oeuvre.

And it’s a modest way to say: thank you for the changes, and safe travels among the stars.
As a friend remarked, Bowie “taught a few generations how to break norms, dream, just dance, sing out one’s fantasies and imagine a better world. … I think our world will not be the same without him but it is different because of him and maybe this is all one can ask for.”

Track list
1) 00:00 DJ Skratch Bastid, “Let’s Dance” turntablism routine
2) 01:24 Davy Jones, “A Better Future” (Heathen, 2002)
3) 05:11 David Robert Jones, “I’m Deranged” jungle mix (Outside, 2007)
4) 11:27 David Bowie, “The Last Thing You Should Do” (Earthling, 1997)
5) 15:39 Major Tom, “I Took a Trip On A Gemini Spacecraft” (Heathen, 2002)
6) 18:36 Ziggy Stardust, “Dead Man Walking” (Earthling, 1997)
7) 21:48 Aladdin Sane, “I Would Be Your Slave” (Heathen, 2002)
8) 26:14 The Man Who Fell To Earth, “Real Cool World” (Songs From The Cool World, 1992)
9) 30:14 The Thin White Duke, “We Prick You” (Outside, 1995)
10) 34:14 Halloween Jack, “Sue (Or In A Season Of Crime)” (★, 2015)
11) 38:35 Jareth The Goblin King, “Little Wonder” (Earthling, 1997)
12) 43:42 Major Tom, “Dancing Out In Space” (The Next Day, 2013)
13) 46:48 The Man Who Sold The World, “Telling Lies” (Earthling, 1997)
14) 49:06 David Bowie, “Modern Love” (Let’s Dance, 1983)

Fun fact: Mixcloud’s Terms of Service both a) prevent a full tracklist from being displayed before playback, and b) regionally restrict playback of mixes featuring more than 4 songs by any one artist. Conveniently, Bowie was many artists.

Guest DJ mix on Bassport.FM this Saturday, April 4, at 1 pm MDT

DrTeeth_BassportFM_4-4-2015My DJ alter ego Dr Teeth returns to radio this weekend, with a guest mix on London UK’s Bassport.FM, at 1 pm MDT (8 pm UK time), on Saturday, April 4. Listen online at http://bassport.fm/listen.html

The set will feature an hour’s smooth and luxurious ride through new and recent drum & bass tracks by a variety of producers and labels, including @djhazard_playaz, @nutone, Stereotype, @dimension_uk, and @_SpectraSoul_, among others. Some of my current favourite tracks are @ReneLaVice’s “The Calling” (@RAMRecordsltd), Stereotype’s “Lost in Los Angeles” (@intriguednb), and @DJAphrodite’s dub remix of Christina Aguilera’s “Beautiful” (yes, really).

After airtime, the mix will be archived, with its tracklist, at my Mixcloud page: mixcloud.com/sonicfiction

I have blogged previously here about how I view DJing as part of my ongoing research, an argument that perhaps warrants articulating more fully sometime soon.