Category Archives: popular culture

New poem in Toronto’s Into The Void Magazine

My poem “Heaven help the roses” — about Toronto’s famous Peace Lady, a.k.a. Pauline Davis — has placed as Runner-Up in Into The Void Magazine’s 2017 Poetry Contest. The complete poem is published at Into The Void‘s webpage featuring all contest winners (scroll down to the Runners Up section…but read the other winners too!).

It’s been almost one year since Davis died, and many more since she had stopped her public work towards the cause of peace, which remains as timely as ever (sadly). While I had hoped to get this poem published in Davis’ lifetime, I’m pleased it’s found a home with a Toronto magazine, since the Peace Lady is such a Toronto phenomenon — although her message is universal, and still urgent.

 

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#TheMediumIsTheMonster: forthcoming April 2018

when the designer of your book’s cover (detail shown here) knocks it out of the park on the first try.
#TheMediumIsTheMonster: forthcoming April 2018 from @au_press.

Stephen Harper as Killer Robot

“Stephen Harper as Killer Robot” is my new article in English Studies in Canada‘s just-published special issue on the automated body.

shaskillbot-screenshotWhile an article about Harper might seem like a political postmortem, the former prime minister’s popular caricature as a robot speaks to widespread fears about the implications of technology for democracy. These alarming implications have been analyzed recently in tech CEO Berit Anderson’s article “The rise of the weaponized AI propaganda machine.” Anderson’s article is a must-read for appreciating the extent to which digital technology now poses a real and present threat to democracy. Anderson’s article sort of picks up — and dives in — where mine leaves off, as a discussion of how that threat has been growing in Canada for some time now.

jffg3

Stencil by “myheadhurtsalot” (https://i.imgur.com/JFfG3.png). My thanks to this Redditor for their permission to reprint their image in my article.

“Stephen Harper as Killer Robot” is currently available online via the Project Muse database, but ESC‘s decent open access policy means the article will be publicly available soon, in 6 months to a year (that’s soonish, for academia). But in the meantime, if you want a copy and can’t access Project Muse, leave a comment below, or send me an e-mail at academicalism[at]gmail[dot]com.

 

 

Rediscovering The Velvet Underground

Some Apple Music playlists seem bot-made, but its Velvet Underground Essentials is a proper journey, and a masterfully curated introduction for anyone who doesn’t already dig this seminal rock band. (The Velvets are the only hip band I can confidently say I introduced many highschool and undergrad friends to.)

In this playlist — which for some reason made for perfect holiday listening yesterday — the songs are perfectly sequenced (for instance, following “Oh sweet nuthin,” a deeper but critical cut, with “All tomorrow’s parties” is inspired); the versions are judiciously selected (for instance, here’s the proper take of “Sweet Jane,” with the bridge); and if there are some omissions (like “The Murder Mystery” or “Cool it down”) there are more essentials (“Here she comes now”), and even some delightful surprises (how have I never heard “Foggy notion” before?).

I’m sharing a pic of the playlist for those who don’t have Apple Music but can source the tracks otherwise and sequence them this way. For Apple Music users, here is the playlist link.

SF: so many corporate dystopias, so few unions.

A couple of years ago, during a break in a faculty association meeting, my Athabasca U colleague Bob Barnetson and I got to talking science fiction, and he casually observed that for all its depictions of big business, the genre’s oddly lacking in corresponding images of unions. I told Bob there was a paper in his idea, and voilà, in the current issue of TOPIA, Canada’s journal of cultural studies, you can read the interdisciplinary article we co-wrote on the subject: “Resistance is futile: on the under-representation of unions in science fiction.” Here’s the abstract:

“This article surveys science fiction (SF) since 1980, and queries the conspicuous under-representation of recognizable images of unions in popular SF, which includes, in contrast, numerous images and narratives of corporate business. According to theories of unionism, science fiction studies and Mark Fisher’s theory of ‘capitalist realism,’ the co-authors theorize this pattern of under-representation, and, in the process, identify and analyze a very small but diverse body of SF works from this period that do include images of unions, in ways that range from the symptomatic to the radically suggestive.”

We gave 1980 as a start date for our study because that was about when corporate elite rule (a.k.a. neoliberalism) started to take off, and because that’s why tweets like this make sense:

Research is integrally intertwined with teaching, but it’s not as often that we in academia get to link research as closely with service. This collaboration has been one such welcome opportunity. (And it’s involved our students, too: we’re specifically indebted to the insights and references shared by AU alumna and SF author Heather Clitheroe, who’s reminded me I need check out The Expanse for more evidence of unions in SF.)

On a point unrelated to our subject matter, I also like that our article appears in an issue that both a) marks the debut of Dr. Rinaldo Walcott as TOPIA‘s new editor, and b) pays tribute to the great, late Canadian writer Austin Clarke.

Lastly, if you’re interested in the article, but you or your institution don’t subscribe to TOPIA, you can e-mail me at academicalism[at]gmail[dot]com to request a single copy (because Canada’s educational fair dealing provision in copyright law allows for individual sharing like this).

Aside

I made two mistakes last night in watching Julie Taymor’s gorgeous 1999 film version of Shakespeare’s atrocious Titus Andronicus: waiting so long to watch it; & making a drinking game of having a sip every time there’s bloodshed. #BearThouMyHandSweetWenchBetweenThyTeeth #ShakespeareMakesTarantinoLookLikeDisney

New Fronts in the Copyfight, Part 2

Now published, just in time for Fair Dealing Week 2016: Part 2 of New Fronts in the Copyfight, my guest-edited series in Digital Studies/Le champ numérique (DSCN). DSCN is an open access journal in the Digital Humanities. New Fronts in the Copyfight is a series featuring innovative, multidisciplinary directions in critical copyright studies. The new installment includes research articles by Dr Carolyn Guertin (author of Digital Prohibition) on digitally remixed creativity, and by Dr Daniel Downes (author of Interactive Realism and co-editor of Post-Colonial Distances) on a theory of “transproperty.” The installment also includes my review of Rosemary Coombe et al’s Dynamic Fair Dealing (2014), an excellent book, and a timely one, given the fast-approaching review of Canada’s amended copyright act and the copyright implications of the signed but not yet ratified Trans-Pacific Partnership.