Category Archives: writing

Forthcoming articles and reviews

I’m excited to announce a bunch of newly written (and co-written) articles and reviews have been accepted for publication and are forthcoming soon:

  • McCutcheon, Mark A. “Reading poetry and its paratexts for evidence of fair dealing.” Studies in Canadian Literature / Études en littérature canadienne, in press.
  • —-. “Paratextual and ‘sampladelic’ techniques for ‘committing centonism’ in contemporary poetry published in Canada.” Cento-Texts in the Making: Aesthetics and Poetics of Cento-Techniques from Homer to Zong!, edited by Manuel Baumbach, Bochumer Altertumswissenschaftliches Colloquium series, in press.
  • —. “Frankenstein meets the FAANG five: figures of monstrous technology in digital media discourse.” Beyond Modern Science: Essays on Frankenstein and STEAM for Charles E. Robinson, edited by Robin Hammerman. Delaware UP, in press.
  • Clitheroe, Heather and Mark A. McCutcheon. Review of The Expanse [TV series]. SFRA Review, in press.
  • McCutcheon, Mark A. Review of The Monster Theory Reader, edited by Jeffrey Andrew Weinstock, U of Minnesota P, 2020. Extrapolation, in press.

Link

Thanks to 49th Shelf for hosting my guest blog post about some poetry sources and inspirations for my own new book of poems, Shape Your Eyes by Shutting Them. Read the post at
https://49thshelf.com/Blog/2020/01/30/Poetry-Can-Only-Be-Made-Out-of-Other-Poems

New book: Shape Your Eyes By Shutting Them

It’s a delight to announce the publication of my debut book of poems, Shape Your Eyes By Shutting Them, from Athabasca University Press. At the link you can buy a print copy or download a free, open-access PDF copy. I’m a firm believer that open access doesn’t mean losing sales, it means gaining audience, and the audience for poetry (which has grown significantly of late) can always use broadening. Open access publishing with AU Press lets me extend a web-wide invitation to #OpenPoetry.

I’m surprised and honoured by the early praise given the book by two major Canadian writers. Di Brandt (author of Glitter & Fall) calls the book “a brilliant, crazy, deliciously carnivalesque romp through the surreal landscape of our times”; and Douglas Barbour (author of Listen. If) calls it “a wild mixtape of literary forms.” I’m inexpressibly grateful for these authors’ kind, generous words.

The book uses Surrealist techniques, like cut-up, juxtaposition, and détournement, in a fugue of poetic forms (centos, science fiction, sonnets, etc.) to tackle subjects ranging from love and work to anxiety disorders and ecological crisis. Moving from eroticism to the macabre and from transformative quotation to the individual idiom, the book enacts Northrop Frye’s claim that “poems can only be made from other poems,” and shows how citation is integral to creativity; authors need fair dealing too.

To give a sense of my work’s debts to others, I’ve created a mixtape of the songs that the book quotes, alludes to, or otherwise references. This mix sequences songs in the order in which their excerpts appear in the book. (Some poems quote no music, and some poems quote more than one song.) The mix includes all songs listed in the book’s Acknowledgments, and other songs from which the book uses short excerpts like titles or very short phrases. More than just further acknowledgment, this mix also means remuneration: Mixcloud pays royalties (to labels at least, and hopefully to artists too). And many artists featured in this mix are Canadian. (Support Can con!)

Whether you #OpenPoetry in print or digitally, I hope you like what you find. Thanks for reading.

Track list

00:00 Peter Gabriel, “Gethsemane”
01:36 Karyn Levitt, “Ah! Sweet Mystery of Life”
03:28 Heart, “These Dreams”
07:46 The Bee Gees, “More Than a Woman”
11:03 Shania Twain, “Man! I Feel Like a Woman”
14:51 The Zombies, “She’s Not There”
17:25 Wu-Tang Clan, “Da Mystery of Chessboxin'”
22:08 R.E.M., “So. Central Rain”
25:34 R.E.M., “It’s the End of the World as We Know It (And I Feel Fine)”
29:12 The Tragically Hip, “New Orleans is Sinking”
33:13 Paul Robeson, “Ol’ Man River”
37:50 Michael Jackson, “Thriller”
43:47 The Jesus and Mary Chain, “April Skies”
47:44 Bob Geldof, “Thinking Voyager 2 Type Things”
55:54 Stevie Wonder, “Heaven Help Us All”
59:24 The Muppet Show cast, “Why Can’t We Be Friends”
1:01:35 The Boys Next Door, “Shivers”
1:06:20 Brewer and Shipley, “One Toke Over the Line”
1:09:43 The Velvet Underground, “Sister Ray”
1:27:05 Nick Cave and the Bad Seeds, “Breathless”
1:30:11 Kate Bush, “Wuthering Heights”
1:34:48 Erasure, “Blue Savannah”
1:38:59 Sarah McLachlan, “O Canada”
1:40:39 Louis Armstrong, “I Guess I’ll Get The Papers and Go Home”
1:43:08 Tori Amos, “Tear In Your Hand”
1:48:06 The English Beat, “Mirror In the Bathroom”
1:50:55 Aphrodite, “Tower Bass”
1:56:24 The Spoons, “Romantic Traffic”
1:59:50 Enigma, “Mea Culpa”
2:04:21 Cowboy Junkies, “‘Cause Cheap is How I Feel”

Link

Who owns copyright in what you publish?

“Who owns copyright in what you publish?” is the talk I delivered for #ACCUTE2019 at this year’s Congress in Vancouver, and it’s now online, in full, as a post for English Matters, the blog of the Association of Canadian College & University Teachers of English.

“There are many interests vying for rights to your research, and many ways to assert or regain your own control over those rights. It’s important to know what the main regulatory contexts are — and what your options are.”

Read the full text of the talk at accute.ca/accute-blog/.

This research has been supported with the generous assistance of Athabasca University’s Academic & Professional Development Fund.

A Festschrift piece in Comparative Literature for the New Century

I’m delighted to have a chapter in Giulia Gasperi’s and Joseph Pivato’s new book, Comparative Literature For The New Century, which has just been published by McGill-Queens University Press.

It’s a delight, too, have written that chapter as a Festschrift piece* honouring Pivato’s discipline-building career.

And—in the process—it’s both a delight and a privilege to be able to bring to this writing a payment of tribute—by way of opening epigraphs—to other important mentors in that critical institution called the #university:

* What’s a Festschrift? A peculiarly academical genre.

 

Aside

It’s been a good week for writing: Carousel Magazine has accepted one of my poems for publication; Riddled With Arrows, one of my stories; and I just got my copy of the latest issue of Quills — Canada’s erotic poetry … Continue reading

It’s alive. IT’S ALIVE!

Here’s one way to mark the 200th anniversary of the publication of Mary Shelley’s Frankenstein in 1818: I’m delighted to announce the publication of my new book The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology. It’s published by Athabasca University Press, and it’s available in hardcover, paperback, and open-access PDF.

To order, see Indigo, Amazon, or UBC Press (AUP’s distributor).

To read the open-access PDF, see AU Press’ webpage for the book and click the Free PDF tab.

Briefly, the book argues, first, that Mary Shelley’s 1818 novel Frankenstein effectively reinvented the meaning of the word “technology” for modern English; and, second, that Marshall McLuhan’s media theory and its adaptations in Canadian pop culture (by icons like David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5) have popularized this Frankensteinian sense of technology.

Link

“Happy Birthday, Frankenstein!”

Athabasca University Press’ Open Book Blog has a new post about the Frankenstein bicentennial: “Happy Birthday, Frankenstein!” 
The post curates a sampling of links to just a few of the Canadian Frankenstein adaptations discussed in my book #TheMediumIsTheMonster: from Larissa Lai’s writing and Matt MacFadzean’s playwriting, to the music of Deadmau5 and more.

This blog posts makes a great multimedia supplement to the book, for readers who may not know of some of these works.

New poem in Toronto’s Into The Void Magazine

My poem “Heaven help the roses” — about Toronto’s famous Peace Lady, a.k.a. Pauline Davis — has placed as Runner-Up in Into The Void Magazine’s 2017 Poetry Contest. The complete poem is published at Into The Void‘s webpage featuring all contest winners (scroll down to the Runners Up section…but read the other winners too!).

It’s been almost one year since Davis died, and many more since she had stopped her public work towards the cause of peace, which remains as timely as ever (sadly). While I had hoped to get this poem published in Davis’ lifetime, I’m pleased it’s found a home with a Toronto magazine, since the Peace Lady is such a Toronto phenomenon — although her message is universal, and still urgent.

 

Prose poem in Unbroken no. 16

The open online journal Unbroken includes my prose poem slash flash fiction “Jumpcuteye” in its new issue no. 16, published today.

Unbroken (on Twitter, @unbrokenjournal) specializes in short prose pieces; its counterpart Unlost (@unlostjournal) specializes in found poetry. The editors of these journals are to be commended for promoting these less well recognized literary forms, and for doing so via openly accessible online platforms.