Most of my research publications (articles, chapters, etc.) are openly accessible (or available on request) via AUSpace.athabascau.ca, Athabasca U’s institutional repository.
McCutcheon, Mark A. The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology. Athabasca UP, 2018.
Scholarly Articles and Chapters
McCutcheon, Mark A. “Haunting Tradition Properly: Studies in Ethnic Minority Writing.” Comparative Literature for the New Century, edited by Giulia de Gasperi and Joseph Pivato, McGill-Queen’s UP, 2018, pp. 304-19. http://www.mqup.ca/comparative-literature-for-the-new-century-products-9780773554498.php?page_id=73&
—. “Monster Mines and Pipelines: Frankenstein figures of tar sands technology in Canadian popular culture.” Popular Postcolonialisms: Discourses of Empire and Popular Culture, edited by Nadia Atia and Kate Houlden, 213-37. Routledge, 2019. Routledge Research in Postcolonial Literatures, https://www.routledge.com/Popular-Postcolonialisms-Discourses-of-Empire-and-Popular-Culture/Atia-Houlden/p/book/9781138125056
—. “‘Little crimeworn histories’: Nick Cave and the Roots-Raves-Rehab story of rock stardom.” Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms, edited by James Rovira, 101-20. Palgrave Macmillan, 2018. Palgrave Studies in Music and Literature, https://www.palgrave.com/us/book/9783319726878
Poems and Short Stories
McCutcheon, Mark A. “Why the blue whale risked its neck.” On Spec, vol. 29, no. 1 (#108), 2018, p. 49.
—. “The space of one paragraph.” Riddled With Arrows, vol. 2, no. 2, 2018.
—. “The lineaments.” Quills, no. XI, pp. 52-3.
—. “Heaven help the roses.” 2017 Poetry Contest Runner-Up, Into The Void Magazine, 21 Jan. 2018.
ACCUTE Dance Party. Owl Pub, U of Regina, 28 May 2018.
Spotlight Session drum & bass mix. Bassport.FM, London, 1 pm MDT, 4 Apr. 2015.
Selected DJ mixes are streamable at Mixcloud.com/sonicfiction.