[In my post-#congreSSH post about this year’s ACCUTE dance party, I’d said I’d be following up with a post reflecting further on that event. Voilà: further thoughts, related to other current concerns, in the form of a DJ mix. What can I say? I have a phonographic memory.]
Here’s the at-a-glance track list for the recording of the set I DJed at ACCUTE’s 2018 dance party. (Mixcloud only reveals the full track list during real-time playback.) This isn’t a recording of the whole set, but it’s a generous sample.
I’ll be sharing further reflections on the event in a forthcoming post.
00:00:00 Shakira feat. Wyclef Jean, “Hips don’t lie”
00:03:19 N.O.R.E. feat. Nina Sky, “Oye mi canto”
00:06:36 Luis Fonsi & Daddy Yankee feat. Justin Bieber, “Despacito”
00:09:02 Sia feat. Sean Paul, “Cheap thrills”
00:12:05 Rihanna, “Pon de replay”
00:15:27 Mr Vegas, “Heads high”
00:18:20 Panjabi MC, “Beware of the boys (Mundian to bach ke)”
00:22:16 Lady Gaga, “Born this way (Bollywood remix)”
00:26:12 Boney M, “Rasputin”
00:30:26 Dead or Alive, “You spin me round (like a record)”
00:34:43 Depeche Mode, “I just can’t get enough”
00:38:15 Madonna, “Ray of light”
00:42:52 Cornershop, “Brimful of Asha (Fatboy Slim remix)”
00:46:45 Olivia Newton-John & E.L.O., “Xanadu”
00:50:00 Earth Wind & Fire, “September”
00:53:22 Spice Girls, “Wannabe”
00:56:09 Meatloaf, “Paradise by the dashboard lights”
01:04:23 Kenny Loggins, “Footloose”
01:08:10 Beyoncé, “Drunk in love”
01:13:02 Abhijeet & Anuranda Shriram, “Chunari chunari”
01:16:45 New Order, “Bizarre love triangle”
01:23:03 Drake, “Nice for what”
01:26:07 Nine Inch Nails, “Closer”
01:31:33 Tanya Stephens, “Good ride”
01:35:10 Missy Elliott, “Get ur freak on”
01:38:29 Soft Cell, “Tainted love”
01:41:05 Nena, “99 Luftballoons”
01:44:43 Lil Jon feat. Usher & Ludacris, “Yeah!”
01:48:52 Backstreet Boys, “Everybody” (+ samples of Lil Jon, “Outta your mind”)
01:53:24 Rihanna feat. Drake, “Work”
01:56:53 Ciara feat. Missy Elliott, “One two step”
01:59:55 Sean Paul, “We be burnin'”
2:03:20 Robyn, “Dancing on my own”
02:07:34 Groove Armada, “If everybody looked the same”
02:10:57 Azealia Banks feat. Lazy Jay, “212”
02:14:18 Capoeira Twins, “4 x 3”
02:18:40 Rob Base & DJ EZ Rock, “It takes two”
02:23:20 Major Lazer feat. VYNZ Kartel, “Pon de floor”
02:26:52 Beyoncé, “Run the world (Girls)”
James Rovira’s just-published book, Rock and Romanticism: Postpunk, Goth, and Metal as Dark Romanticisms (Palgrave Macmillan, 2018), includes my chapter “‘Little crimeworn histories’: Nick Cave and the roots-raves-rehab story of rock stardom.” (That chapter’s a full treatment of an inkling I first shared here nearly a decade ago.)
Rovira’s book is also accompanied by its own iTunes playlist that I was happy to help build and curate (and, in the process, encounter some great music I’d not previously known about); and the editor’s also got a whole blog post with listening samples and other links related to topics covered in the book.
For my part, I’ll just leave here a link to the video for the song that my chapter takes its title from: the exhilaratingly evil, deliriously demonic “Deanna”:
It’s been a minute since I recorded a new #drumandbass mix, so here’s a longer one, “Liquefaction,” 1.5 hours’ worth of new & recent tracks from labels like @HospitalRecords, @FokuzRecordings, @soulventrecords & @metalheadzmusic.
Here’s a track list, too (since Mixcloud only reveals the track list during playback).
Some Apple Music playlists seem bot-made, but its Velvet Underground Essentials is a proper journey, and a masterfully curated introduction for anyone who doesn’t already dig this seminal rock band. (The Velvets are the only hip band I can confidently say I introduced many highschool and undergrad friends to.)
In this playlist — which for some reason made for perfect holiday listening yesterday — the songs are perfectly sequenced (for instance, following “Oh sweet nuthin,” a deeper but critical cut, with “All tomorrow’s parties” is inspired); the versions are judiciously selected (for instance, here’s the proper take of “Sweet Jane,” with the bridge); and if there are some omissions (like “The Murder Mystery” or “Cool it down”) there are more essentials (“Here she comes now”), and even some delightful surprises (how have I never heard “Foggy notion” before?).
I’m sharing a pic of the playlist for those who don’t have Apple Music but can source the tracks otherwise and sequence them this way. For Apple Music users, here is the playlist link.
“Montreal is still small enough to have one or two centres, one or two late night centres, and into this funnel is drawn everyone who happens to be up that night or at least a representation of the various groups operating in the night, and groups operating in the night always have a special kind of interest and a special kind of ritualistic atmosphere.
“And into these places, these special places in the city, and Ben’s is one of them, is drawn this very urgent cross section of people who have somehow committed the first rebellious act that a man can perform: refusing to sleep.
“That’s the real rebellion against life and the generative process. That’s the real human idea: I refuse to sleep. I’m going to protest the idea of sleep by turning night into day.
“I’m going to revel and drink and womanize all night and this way I show time, death, the natural process of destruction, decay and regeneration — I show it all with my mind and my will that I, man, triumph. And so they come to Ben’s.”
–Leonard Cohen, quoted in Ladies & Gentlemen…Mr Leonard Cohen (NFB, 1965)
[A thousand thanks to you, Mr Leonard Cohen, for showing us how the light gets in. And for being the light.]