I’m excited to announce a bunch of newly written (and co-written) articles and reviews have been accepted for publication and are forthcoming soon:
- McCutcheon, Mark A. “Reading poetry and its paratexts for evidence of fair dealing.” Studies in Canadian Literature / Études en littérature canadienne, in press.
- —-. “Paratextual and ‘sampladelic’ techniques for ‘committing centonism’ in contemporary poetry published in Canada.” Cento-Texts in the Making: Aesthetics and Poetics of Cento-Techniques from Homer to Zong!, edited by Manuel Baumbach, Bochumer Altertumswissenschaftliches Colloquium series, in press.
- —. “Frankenstein meets the FAANG five: figures of monstrous technology in digital media discourse.” Beyond Modern Science: Essays on Frankenstein and STEAM for Charles E. Robinson, edited by Robin Hammerman. Delaware UP, in press.
- Clitheroe, Heather and Mark A. McCutcheon. Review of The Expanse [TV series]. SFRA Review, in press.
- McCutcheon, Mark A. Review of The Monster Theory Reader, edited by Jeffrey Andrew Weinstock, U of Minnesota P, 2020. Extrapolation, in press.
This week (Feb. 25 – Mar. 1) is #FairDealingWeek, a time to celebrate this vital statutory right’s affordances for expressive freedoms and the public good, and to dispel the misinformation that copyright maximalists spread about its supposed harms. Despite repeated, clear, and consistent Supreme Court rulings, big publishers and their intermediaries continue to treat the lawful exercise of fair dealing — by users, educators, and, yes, creators too — as if it’s debatable, dubious, or diabolical.
Among the many online resources and testimonials being shared this week — see https://fair-dealing.ca/ for an aggregated collection — Meera Nair, NAIT’s copyright officer and a vocal advocate for fairer copyright, has shared a blog post that brings home the importance of fair dealing.
“Fair Dealing matters. Individual writers, musicians and artists should not need to be well-versed in the intricacies of copyright law, to benefit by exceptions to copyright defined in the law.”
And if you wish to add your voices to those telling the federal government’s copyright review committee to preserve and extend fair dealing in copyright law, you might consider signing the Fair Copyright petition organized by the Canadian Association of University Teachers.
Lastly: I’ve linked to its abstract above, but let me reiterate here that essential reading for understanding how fair dealing benefits creators is Eli MacLaren’s 2017 article on poets’ incomes and fair dealing.
It’s been a good week for writing: Carousel Magazine has accepted one of my poems for publication; Riddled With Arrows, one of my stories; and I just got my copy of the latest issue of Quills — Canada’s erotic poetry … Continue reading
My poem “Heaven help the roses” — about Toronto’s famous Peace Lady, a.k.a. Pauline Davis — has placed as Runner-Up in Into The Void Magazine’s 2017 Poetry Contest. The complete poem is published at Into The Void‘s webpage featuring all contest winners (scroll down to the Runners Up section…but read the other winners too!).
It’s been almost one year since Davis died, and many more since she had stopped her public work towards the cause of peace, which remains as timely as ever (sadly). While I had hoped to get this poem published in Davis’ lifetime, I’m pleased it’s found a home with a Toronto magazine, since the Peace Lady is such a Toronto phenomenon — although her message is universal, and still urgent.
The open online journal Unbroken includes my prose poem slash flash fiction “Jumpcuteye” in its new issue no. 16, published today.
Unbroken (on Twitter, @unbrokenjournal) specializes in short prose pieces; its counterpart Unlost (@unlostjournal) specializes in found poetry. The editors of these journals are to be commended for promoting these less well recognized literary forms, and for doing so via openly accessible online platforms.
It won’t pay to put in a pool, but seeing a new poem of mine in print today at concīs magazine — concis.io — is a fine Christmas bonus.
“Voyager 2, thinking, types things” is a sonnet made from humankind’s longest-range communications—intel from #Voyager2, as tweeted by @NSFVoyager2. (Thanks to concīs and its attentive editors, who are excellent to work with.)
Thanks to EVENT Magazine for publishing two of my poems, “What a name’s in” and “No family one pictures” — alongside superb work by other writers — in the current issue (vol 46 no 2, 2017).
Two poems of mine have appeared recently in literary journals:
“Shadows the words” is in this week’s (June 4th) issue of UnLost, a fantastic journal of found poetry that’s openly accessible online. This poem’s an acrostic (certain letters in every line spell a word) and a cento (a poem made wholly of lines from other poems)…so I think that makes it an acrosticento.
And “New patriot love” is in the current issue (#3) of Milkweed Zine, a bold and diverse queer feminist erotic ‘zine based in Toronto. This poem’s a dirty riff on Canada’s flag and national anthem — just in time for Canada’s 150th! 😉
I’m pleased to see two of my poems reach print.
1. “Here Is Where”:
Existere, the long-running literary journal based at York University, has published my poem “Here Is Where Was” in its current Spring-Summer issue (35.2). The poem appears without its Works Cited list: I know poems tend not to attach such things; and I guess the editors get to make that call; and I’ve read some compelling arguments, like David Shield’s, for borrowing without citing. But, unreconstructed scholar that I am, I still feel obliged to cite credit where it’s due:
“Here Is Where” Works Cited
- Brand, Dionne. No Language is Neutral. Coach House P, 1990, p. 22.
- Frye, Northrop. “Conclusion to the First Edition of Literary History of Canada” (1965). Northrop Frye on Canada, vol. 12, edited by Jean O’Grady and David Staines, U of Toronto P, 2003, p. 346.
- Johnston, Basil. The Manitous: The Spiritual World of the Ojibway. Minnesota Historical Society P, 2001, p. 221.
2. “Lunar Sonata”:
Tigershark is a small-press British e-zine that publishes theme-based issues by subscription. My poem “Lunar Sonata” appears in Tigershark 11, the science and technology issue. “Lunar Sonata” is a cento, a found poem composed wholly of selected excerpts from a news article, “Audio recordings document ‘weird music’ heard by Apollo astronauts on far side of moon,” by Lee Speigel; his story ran in the Huffington Post on Feb. 20, 2016.
Issues of Tigershark can be requested by emailing the editor, DS Davidson, at firstname.lastname@example.org.