#TheMediumIsTheMonster: forthcoming April 2018

when the designer of your book’s cover (detail shown here) knocks it out of the park on the first try.
#TheMediumIsTheMonster: forthcoming April 2018 from @au_press.

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Six things the public & the government need to know about fair dealing

Amidst ongoing efforts by copyright-maximizing lobbyists to mislead both the public and the government (which is now undertaking its 5-year review of the amended 2012 copyright act) about what fair dealing is, and what it means for Canadian culture, innovation, and education, here are six evidence-based points worth understanding about fair dealing.

  1. Over a decade’s worth of Supreme Court rulings have firmly and consistently enshrined fair dealing as a users’ right in copyright law.
  2. If Canadian publishers are hurting, it’s not because of fair dealing.
  3. In the name of authors, lobbyists against fair dealing antagonize and vilify educators — but many educators are authors themselves.
  4. Far from “pirating” protected works, educators actively promote authors’ interests, e.g. by ordering Canadian authors’ works in large quantities for schools and students to buy. (See p. 2, item 4 of CARL-ABRC’s Fair Dealing fact sheet.)
  5. Authors need fair dealing too, no less than educators do.
  6. Fair dealing augments and reinforces our Charter-guaranteed freedom of expression: any change to fair dealing (or to copyright more generally) must be understood as a change to free speech rights.

All these points are supported by case law and rigorous, evidence-based studies (by nationally recognized experts like Bita Amani, Carys Craig, Michael Geist, Ariel Katz, and Meera Nair, among others).

So next time you read that teachers are killing Canadian publishing, or stealing Canadian content, don’t believe the hype.

Link

Fair Dealing Myths & Facts, from the Canadian Association of Research Libraries

The Canadian Association of Research Libraries has published a helpful, concise briefing on fair dealing in Canadian copyright law.
Get the facts, not the all-too-pervasive myths.
Fair Dealing Myths & Facts (PDF format; updated November 2017).

A word of thanks for university support for Humanities research, on AU’s Employee Recognition Day

[I shared this short word of thanks on the occasion of receiving this year’s PARSE research award, at today’s annual Employee Recognition event at Athabasca U, in the town of Athabasca.]

Thanks so much to Athabasca University for the President’s Award for Research and Scholarly Excellence. Thanks especially to the judges of this award; the colleagues whom I consulted about applying to this award; and Athabasca University Press, for publishing my book, The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology. It’s been a long time coming: the project started over a decade ago, in 2006, and there are many reasons it’s taken so long to see print. I’m relieved to see that other studies of Frankenstein have taken as long. And I’ve made other workload choices (especially in service) year to year at AU. Maybe I’m making up for some of that time, but during this PARSE leave I’m now working on not one but three book projects. But enough about me.

The President’s Award for Research and Scholarly Excellence recognizes and supports several practices and values vital to preserving and building our research university. For one thing, the PARSE award supports Canadian scholarly book publishing at a time that sector is being squeezed by global competitors (not by copyright law, as some lobbyists claim). But for another thing, closer to home, the PARSE builds and diversifies AU’s research culture. AU support, like the PARSE, for research across all our disciplines is vital in a provincial context where we must compete for external funding and awards with two of Canada’s biggest universities (who shall remain nameless here).

As an internal support for disciplinary research, the PARSE also supports quality teaching, since research and teaching are mutually constituted in university work of excellence. In this way, the PARSE affirms and builds AU’s status as a comprehensive academic research university (or “CARI”) – a status that’s vital to our students. Students come to AU because they know we’re a real research university.

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from M. Terras et al, “The Humanities Matter!”, 2013, 4humanities.org/infographic. Click for full-size image.

And as both an AU award and a book-publishing award, the PARSE is especially appreciated by a Humanities scholar like me: in Humanities disciplines (like English, history, or philosophy), it’s books, not articles, that are the currency of the realm. And most if not all Humanities research is not applied, it’s pure or curiosity-driven (and sometimes, as a colleague reminds me, even fun-driven) research. The value of Humanities research isn’t well appreciated by the public because it’s not obviously useful. But usefulness is not the appropriate way to measure Humanities research. Humanities research may have no economic application; what it produces is critical knowledge, and that’s a vital, non-economic public good. At its best, Humanities research speaks truth to power, promotes engaged citizenship, and unsettles common sense, making the familiar strange and vice versa. Humanities research is, in a word, critical. And as Stuart Hall said, “the university is a critical institution or it is nothing.”

Thank you again for conferring on me the honour – and the responsibility – of this extraordinary award.

Two new poems

Thanks to EVENT Magazine for publishing two of my poems, “What a name’s in” and “No family one pictures” — alongside superb work by other writers — in the current issue (vol 46 no 2, 2017).

Meera Nair on Canada’s copyright review & fair dealing at Congress

English Matters, The blog of the Association of Canadian College & University Teachers of English (ACCUTE), features a talk by Meera Nair (NAIT) from the panel I organized & chaired at Congress on Monday, May 29, 2017: “Canada’s 2017 copyright review: academics’ perspectives.” The panel included three presenters: Sileshi Hirko (U Ottawa) made the case for re-framing copyright’s users’ rights (i.e. fair dealing) according to human rights and international rights agreements; Lisa Macklem (Western U) discussed the implications of intermediary lobbying (e.g. by Access Copyright) and international trade agreements (e.g. NAFTA) for users’ rights in Canadian copyright law; and Nair showed how not only users but also authors depend on fair dealing.
Read more about the panel at this link, where you can also read a free PDF version of Nair’s complete talk.

Two new poems

Two poems of mine have appeared recently in literary journals:

“Shadows the words” is in this week’s (June 4th) issue of UnLost, a fantastic journal of found poetry that’s openly accessible online. This poem’s an acrostic (certain letters in every line spell a word) and a cento (a poem made wholly of lines from other poems)…so I think that makes it an acrosticento.

And “New patriot love” is in the current issue (#3) of Milkweed Zine, a bold and diverse queer feminist erotic ‘zine based in Toronto. This poem’s a dirty riff on Canada’s flag and national anthem — just in time for Canada’s 150th! 😉